Piano reduction | Klavierauszug of Concerto in Bb Major GWV 340 for Bassoon and Piano - with seperate bassoon part
Among his solo concertos, the four works for solo bassoon are particularly significant: he did not assign more soloistic tasks to any other instrument. The main focal point of the Concerto in Bb major GWV 340 is its final movement. Significant not only in terms of quantity but also quality, it is designed as a Da capo aria in which the solo instrument dominates with a clearly contoured theme – and, depending on the performer’s tempo choice, can shine accordingly. This movement is preceded by two different movements in two different moods, with the bassoon proving itself to be "first among equals”. Specifically, the opening movement, a swaying Siciliano at a moderate tempo, is dominated by the solo instrument’s permanently changing roles, that is, supporting the Basso continuo group on the one hand and taking on soloistic tasks, mostly in the form of arpeggios, on the other.
Piano reduction | Klavierauszug des Konzert B-dur GWV 340 für Fagott und Piano - mit separater Fagottstimme
Unter den Solokonzerten nehmen die vier Werke für solistisches Fagott einen besonderen Stellenwert ein; keinem anderen Instrument hat er mehr konzertierende Aufgaben zugewiesen. Das Konzert B-dur GWV 340 ist ganz auf den Finalsatz ausgerichtet, der nicht nur quantitativ, sondern auch qualitativ einen besonderen Stellenwert erhält: Er ist als Da-Capo-Arie gestaltet, in der das Soloinstrument mit klar konturiertem Thema dominiert – und bei entsprechender Tempowahl durchaus brilliert. Vorbereitet wird dieser Satz durch zwei unterschiedliche Stimmungsbilder, in der sich das Fagott stärker als „primus inter pares“ zeigt. So dominiert im Eröffnungssatz, einem wiegenden Siciliano in gemäßigtem Tempo, der permanente Rollenwechsel des Soloinstruments zwischen Generalbassfunktion einerseits und solistischer Aufgabe – zumeist in Form von Dreiklangsbrechungen – andererseits.
Score | Partitur of Concerto in C major GWV 301 for Bassoon, Strings and Basso continuo
Among his solo concertos, the four works for solo bassoon are particularly significant: he did not as..
Score | Partitur of Concerto in C minor Bb GWV 307 for Bassoon, Strings and Basso continuo
Among his solo concertos, the four works for solo bassoon are particularly significant: he did not assi..
Score | Partitur of Concerto in G major GWV 328 for Bassoon, Strings and Basso continuo
Among his solo concertos, the four works for solo bassoon are particularly significant: he did not as..
Score | Partitur of Overture in G major Entrata per la Musica di Tavola GWV 453 for Strings and Basso continuo
The Entrata GWV 453 may have been composed between 1730 and 1735 and i..
Score | Partitur of Symphony in E flat major GWV 559 for 2 Horns, 4 Timpani, Strings and Basso continuo
The Sinfonia GWV 559 features five movements that do not correspond to 18th-century d..
Parts | Stimmen of Concerto in C major GWV 301 for Bassoon, Strings and Basso continuo
Among his solo concertos, the four works for solo bassoon are particularly significant: he did not ass..
Parts | Stimmen of Concerto in C minor Bb GWV 307 for Bassoon, Strings, and Basso continuo
Among his solo concertos, the four works for solo bassoon are particularly significant: he did not assi..
Parts | Stimmen of Concerto in G major GWV 328 for Bassoon, Strings and Basso continuo
Among his solo concertos, the four works for solo bassoon are particularly significant: he did not ass..
Piano reduction | Klavierauszug of Concerto in C major GWV 301 for Bassoon and Piano - with seperate bassoon part
Among his solo concertos, the four works for solo bassoon are particularly signi..
Piano reduction | Klavierauszug of Concerto in C minor Bb GWV 307 for Bassoon and Piano - with seperate bassoon part
Among his solo concertos, the four works for solo bassoon are particularly si..
Piano reduction | Klavierauszug of Concerto in G major GWV 328 for Bassoon and Piano - with seperate bassoon part
Among his solo concertos, the four works for solo bassoon are particularly ..
Parts | Stimmen of Overture in G major Entrata per la Musica di Tavola GWV 453 for Strings and Basso continuo
The Entrata GWV 453 may have been composed between 1730 and 1735 and is..
Parts | Stimmen of Symphony in E flat major GWV 559 for 2 Horns, 4 Timpani, Strings and Basso continuo
The Sinfonia GWV 559 features five movements that do not correspond to 18th-century da..