François-Joseph Fétis: Quatre Morceaux de Concours (1861, 1865, 1867, 1868)
Louis-Henri Merck: Variations pour 2 cors avec acc. de piano (c. 1880)
François-Auguste Gevaert: Air d'Orphée (1876)
François-Auguste Gevaert: Air de Magdalena (1891)
Paul Gilson: Cinq Préludes (1913-14)
Klik op de PDF hierboven om de inhoudsopgave te zien. Enkel beschikbaar in het Engels.
As explained in the general introduction, the three main Belgian training centers for horn players —Liège, Brussels, and Ghent— had common artistic roots but developed different accents through their years of existence. Belgian players had embraced the valve horn from the late 1830s onwards, and the appointment by François-Joseph Fétis of the prominent valve horn protagonist Jean-Désirée Artôt as horn teacher at the Brussels Royal Conservatory in 1843 had accelerated this process considerably. Contrary to France, where the natural horn class and the valve horn class were two entirely different universes, Artôt invented a system in which natural horn (classe de1° cor)and valve horn (classe de 2° cor) were both taught in the same class and by the same teacher. A considerable number of horn works written at this time were compulsory pieces for the exams at the Brussels Conservatory. These works, characteristic of the transition period from natural to valve horn between roughly 1840 and 1870, are generally similar in style to the dominant brass repertoire written by Jean-Baptiste Arban, Jules Demersseman and the Distin brothers in France and England around the same time. (more text in the book...)
voor hoorn en piano
Martin-Joseph Mengal: Sixième duo pour piano et cor (c. 1820)
Martin-Joseph Mengal: Romance du 1° concerto (c. 1820)
Gustaaf Pape: Evening Prayer - ..
voor hoorn en piano
Léopold Wallner: Romance (Ghent Version, 1890)
Charles De Waele: A Travers Bois (1889)
Jenny Van Rysselberghe: Rêverie (1904)
Robert Guillemyn: Chant d’Au..
voor hoorn en piano
Joseph Ryelandt: Sonata in E, opus 18
Robert Herberigs: Cyrano de Bergerac (1912)
Jules Bouquet: Sonata (1942)
Maurits Deroo: Two Sketch..
voor hoornensemble (met download-code voor de partijen)
Joseph Ryelandt: Zomeravond (Summer Evening), for Horn Quartet (c. 1897)
Paul Gilson: Petite Suite, for Horn Quartet (1889)
Ju..
Brave Belgians - vol. I - Ghentian Songs
Martin-Joseph Mengal: Sixième duo pour piano et cor (c. 1820)
Martin-Joseph Mengal: Romance du 1° concerto (c. 1820)
Gustaaf Pape: Ev..
‘Brave Belgians of the Belle Époque’ is een artistieke case-studie die het paradigma van een bloeiende Gentse hoorntraditie in de late negentiende en vroege twintigste eeuw ontrafelt. Omstreeks 1870 o..
Brave Belgians of the Belle Époque - A study of the late-romantic Ghent horn playing tradition
Brave Belgians - vol. I - Ghentian Songs
Martin-Joseph Mengal: Sixième duo pour piano et c..