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Welcome gift: 4 free scores

Subscribe to our newsletter and receive as a welcome gift 4 free scores:
- Weihnachtsgefühl (Christmas Mood)
- Richard Strauss - arr. Herman Jeurissen:
for  6 horns in F
Swing that, Bach! - J.S. Bach - arr. Jens De Pauw:
for percussion trio
- Safe & Sound 
- Seppe Roosen:
for solo instrument with play along and rehearsal track
- Sparks of Youth 
- Ward Dierick:
for concert band

Janos Bruneel

Marc Smits

Before he could read or write, Janos Bruneel (°1983) started piano lessons, but it was only at the age of 16 that he discovered his instrument: the bass. In 2008 he obtained his Master-degree with great distinction at the Royal Conservatories of The Hague (cum laude) and Brussels with Hein van de Geyn, Frans van der Hoeven and Christophe Wallemme. After graduation he was head teacher double bass at the Royal Conservatory of The Hague for 10 years. He currently teaches bass and harmony at the Royal Conservatory in Ghent, the Kunsthumaniora in Brussels and the academy of Berchem.

With different formations he has won numerous awards, such as the Sabam Youth and Music Jazz Award (2010) and co-composer Best Australian Jazz Song Of The Year (2012) with "Spir".

In his most recent project "Polyphonario", inspired by the music of the Flemish polyphonist Guillaume Dufay, he plays together with his father Carlos Bruneel (flute) and Bart Van Caenegem (pianoforte). He is also preparing his first solo record "janosolo".

He shared the stage with Eric Vloeimans, Stephane Belmondo, Angelo Verploegen, Anton Goudsmit, Jonas Knutsson, Jack van Poll, Dré Pallemaerts, Hans van Oosterhout and many others.

Together with Steven Cassiers he is the author and creator of the method Track & Play (Your Compass For Tonal Navigation).

List of available scores

Jens De Pauw

Jens De PauwJens De Pauw (born in 1998) graduated as a classical percussionist from the Royal Conservatory of Antwerp under the tutelage of Carlo Willems and Koen Wilmaers. In his daily life, Jens works as a freelance musician. He also teaches in part-time art education and conducts musical workshops both domestically and internationally. Jens has been directing his own percussion ensemble for several years, where he has already performed most of his arrangements.

In 2013, he made his first arrangement for a percussion ensemble. Three years later, he wrote his first original composition for Percussion ensemble WIK Zemst-Laar under the direction of Nik Goovaerts.

List of available scores

 

Florian Heyerick

FH 2010 12Florian Heyerick studied in Ghent, Brussels and Leuven and obtained First Prizes for recorder, flute and chamber music. He also obtained a master's degree in musicology from Ghent University. He was an artistic teacher at the Ghent Music Conservatory (School of Arts, Hogeschool Gent) and is working on a research project on the music of Christoph Graupner, culminating in the Graupner2010 project. Furthermore, he founded the specialised CD label Vox Temporis, within which he realised more than 50 unique recordings as producer.

Florian is the founder and, since 1989, artistic director of the Vocal Ensemble Ex Tempore. He has also been a regular guest conductor with, among others, the Collegium Instrumentale Brugense, the baroque orchestra Les Agremens, the Flemish Radio Choir, Musica Antiqua Köln, the Komische Oper in Berlin, the Nederlandse Bachvereniging, etc. He has also been a regular guest with the Netherlands Ballet Orchestra in Amsterdam, now the Holland Symfonia, since 1998. He also performs frequently as a soloist on recorder and harpsichord.

From 2002 to 2004, he was chief conductor of the Kurpfälziches Kammerorchester Mannheim/Ludwigshafen. He also conducted the Wereldjeugdkoor (Namur), deFilharmonie (Antwerp), the Gelders Orkest (Arnhem), the Rotterdam Philharmonie, and a production at the Operastudio Gent (Reinhard Keiser). Today, he is artistic director of the Musikforum Mannheim and the baroque orchestra Mannheimer Hofkapelle (D).

As an instrumentalist and conductor, he has made numerous CD recordings: together with Ex Tempore in works by Telemann, Handel, Monteverdi, Herzogenberg, Scarlatti, M. Haydn, Graupner, Johann Ludwig Bach and Krebs, among others; with the Netherlands Ballet Orchestra in Mozart's noted production 'Magic Flute'; as an instrumentalist in works for two harpsichords and cantatas by Bononcini and Telemann.

In 1997, Florian was also festival star of the Festival of Flanders, and in 2000 he received the culture prize of the City of Ghent. He is also the cultural ambassador of his hometown Merelbeke.

His efficient and fresh approach, his stylistic insight into many different style periods and his commitment to professionalising choral singing are appreciated by many musicians and organisers at home and abroad.

He conveys his constant focus on repertoire renewal through countless lectures and original concert programmes, as shaped in the remarkable Kantata project (2001-2010) and the Cydonia Barocca festival (from 2017).

List of available scores

 

Daan Vercammen

img 1 1671706901295Daan Vercammen (born in 1992) began his music education at the Stedelijke Academie voor Muziek en Woord in Maaseik under the guidance of Roger Dierckx. He continued his studies at the Kunsthumaniora of the Lemmensinstituut, where he pursued a Master's degree in music (LUCA School of Arts). In 2015, he graduated with high honors under the mentorship of Carlo Willems, Luk Artois, and Aloïs Verbeeck.

Currently, Daan works as a freelance musician with various orchestras and productions. Additionally, he serves as a percussion teacher and leads a percussion ensemble at the academy in Lebbeke. It was here that he composed his first arrangements for percussion ensemble.

Graupner Complete Editions

GWV 201       Trio Sonata in C major for Bassoon, Bass Chalumeau and Basso continuo
                        Score | Partitur & Parts | Stimmen

GWV 301       Concerto in C major for Bassoon, Strings and Basso continuo
                        Score | Partitur
                        Parts | Stimmen
                        Piano reduction | Klavierauszug

GWV 307       Concerto in C minor for Bassoon, Strings and Basso continuo
                        Score | Partitur
                        Parts | Stimmen
                        Piano reduction | Klavierauszug
 
GWV 310       Concerto in D major for Flute, Strings and Basso continuo
                        Score | Partitur
                        Parts | Stimmen
                        Piano reduction | Klavierauszug
 
GWV 311       Concerto in D major for Flute, Strings and Basso continuo
                        Score | Partitur
                        Parts | Stimmen
                        Piano reduction | Klavierauszug
 
GWV 312       Concerto in D major for Flute, Strings and Basso continuo
                        Score | Partitur
                        Parts | Stimmen
                        Piano reduction | Klavierauszug
 
GWV 320       Concerto in E major for Flute, Strings and Basso continuo
                        Score | Partitur
                        Parts | Stimmen
                        Piano reduction | Klavierauszug

GWV 328       Concerto in G major for Bassoon, Strings and Basso continuo
                        Score | Partitur
                        Parts | Stimmen
                        Piano reduction | Klavierauszug
 
GWV 329       Concerto in G major for Flute, Strings and Basso continuo
                        Score | Partitur
                        Parts | Stimmen
                        Piano reduction | Klavierauszug

GWV 340       Concerto in Bb major for Bassoon, Strings and Basso continuo
                        Score | Partitur
                        Parts | Stimmen
                        Piano reduction | Klavierauszug

GWV 453       Overture in G major “Entrata per la Musica di Tavola” for Strings and Basso continuo
                        Score | Partitur
                        Parts | Stimmen

GWV 559       Symphony in Eb major for 2 Horns, 4 Timpani, Strings, and Basso continuo
                        Score | Partitur
                        Parts | Stimmen

After a long and intensive phase of preparation, the time has come: The first volumes of the scientific-practical series with selected works by Graupner, published by the Christoph-Graupner-Gesellschaft (Ursula Kramer) in conjunction with Cydonia Editions Gent (Florian Heyerick) and distributed by the publishing house Golden River Music, have been published and are presented here for the first time.
Until now, Graupner's work has been primarily reserved for specialists in historically informed performance practice; they have learned to play Graupner's sonatas or concertos directly from the old manuscripts. However, in order to make Graupner's music accessible to advanced young musicians and students, reliable printed sheet music editions are essential. This applies particularly to the solo concerts; here, a piano reduction is also required for the accompaniment in the lesson.
Gradually, Graupner's most important concertos will therefore appear in the new edition series of the Graupner Society; in addition to the score and the complete parts, they each also contain a piano reduction by Florian Heyerick and Guy Penson.

The most important musician of the Landgraviate of Hessen-Darmstadt in the eighteenth century was Christoph Graupner. Born in 1683 in Kirchberg, Saxony, he came to the residential town of Darmstadt in 1709, where he initially held the position of vice Kapellmeister. He replaced Wolfgang Carl Briegel as the director of the court Kapelle in 1711. Graupner would actively serve the court Kapelle of Hessen-Darmstadt for 45 years, and despite going blind in 1754, he continued to retain the post of court Kapellmeister until his death in 1760. Graupner’s employment contract from 1709 already specified that he alone was responsible for providing music at the court, both “in and outside of church”, that is, by composing, conducting, and providing accompaniment on the harpsichord. While church cantatas document Graupner’s entire tenure (overall, more than 1450 works are extant), he only seems to have begun writing secular instrumental music in the late 1720s. Extant instrumental works that were, without doubt, composed by Graupner comprise not only 44 solo concertos (with 21 being scored for 1 soloist), but also 85 overture suites, 19 sonatas, and, finally, 112 Sinfonias.

Nach langer und intensiver Vorbereitungsphase ist es so weit: Die ersten Bände der von der Christoph-Graupner-Gesellschaft (Ursula Kramer) in Verbindung mit Cydonia Editions Gent (Florian Heyerick) im Vertrieb des Verlags Golden River Music herausgegebenen wissenschaftlich-praktischen Reihe mit ausgewählten Werken Graupners sind erschienen und werden erstmals der Öffentlichkeit präsentiert.
Bislang war das Werk Graupners vor allem den Spezialisten der historisch informierten Aufführungspraxis vorbehalten; sie haben gelernt, Graupners Sonaten oder Konzerte direkt aus den alten Handschriften zu musizieren. Um Graupners Musik jedoch auch fortgeschrittenen jungen Musiker:innen und Studierenden im Instrumentalunterricht zugänglich zu machen, sind ver­läss­liche gedruckte Noteneditionen unabdingbar. Das gilt besonders bei den Solokonzerten; hier wird zusätzlich ein gut spielbarer Klaviersatz für die Begleitung im Unterricht benötigt.
Nach und nach werden die wichtigsten Konzerte Graupners deshalb in der neuen Editionsreihe der Graupner-Gesellschaft erscheinen; neben der Partitur und dem kompletten Stimmmaterial beinhalten sie jeweils auch einen von Florian Heyerick und Guy Penson erstellten Klavierauszug.

Christoph Graupner ist der bedeutendste Musiker der älteren Residenzgeschichte der Landgrafschaft Hessen-Darmstadt. Geboren 1683 im sächsischen Kirchberg, kam er 1709 nach Darmstadt, wo er zunächst das Amt des Vizekapellmeisters bekleidete, bevor er 1711 als Nachfolger von Wolfgang Carl Briegel an die Spitze der Hofkapelle aufrückte. Graupner kam so schließlich auf 45 aktive Dienstjahre in der Hofkapelle von Hessen-Darmstadt; er erblindete 1754, behielt den Posten des Hofkapellmeisters aber nominell bis zu seinem Tod 1760. Bereits im Anstellungsvertrag von 1709 war Graupners Zuständigkeit für die gesamte Musik am Hof, sowohl „in als außer der Kirchen“ geregelt: komponieren, dirigieren und „accompagniren“ auf dem Cembalo. Während Kirchenkantaten für den gesamten Zeitraum von Graupners Engagement existieren (insgesamt sind über 1450 Werke erhalten), scheint die Überlieferung von weltlicher Instrumentalmusik erst Ende der 1720er Jahre einzusetzen. Graupners erhaltenes, definitiv aus seiner Feder stammendes Instrumentalwerk umfasst neben den 44 Solo­konzerten (21 für 1 Solisten) 85 Ouverturensuiten, 19 Sonaten und schließlich 112 Sinfonien.

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